Day 1 – An attempt to leave Seattle

Okay we just need to leave town. At this point, that’s the goal. Just leave. Will we, though?

We wanted to hit the road at 12:45 when Joel arrived, but there has been a battle of day jobs, trailers, loading, and then … Hemp Fest traffic strikes, with a second punch of stadium traffic… And my drums aren’t even in the van yet. One of those days.

I hope the van can make it up my hill at this point.

Also, I’m wondering if they will give me grief about packing too much. They are diehards, but I’m new to this. I only packed for 7 of the 14 days, so hopefully I’m not too much of a diva.

Dama/Libra Tour 2014

So, I have been saving up some blog ideas, but have had no real time to flesh them out because of this Dama/Libra tour. Perhaps I’ll have a moment while riding in the van to deal with that backlog.

I was thinking back to how it is that I got to be this fortunate, and ended up going back to 2003. So that’s a long story for another day. Suffice to say, I feel very fortunate. Stuart and Joel are incredibly kind hearted souls, so they are great to work with.

If you’re just getting caught up, Pitchfork gave Dama/Libra a 7.1 and wrote up a review. I think the reviewer missed the point of a few things, but in another way he really dug into the psychology of the album that felt very poignant.

It has been a real eye opener to work with Stuart, in the way that he intuitively thinks about time and space (in a musical sense). It’s made me have to question many of my own habits as a drummer. His music is so slow, that you must throw counting out the window and just rely on each other for queues and simply feel when it’s time to play a particular figure. It’s frightening to let go, yet also very freeing. His phrasing is so long, and notes so sparse, that you must enter a zen like state just to play the music. Very challenging, and very gratifying.

Joel brings thoughtful, and frankly vulnerable, lyrics to these songs. Sometimes I get distracted by their meaning, even while performing. Vulnerable really is the right term. Working with him in rehearsals, he’s the real thing. Singing, or just hanging out–it’s the same guy. It’s refreshing to work with a singer who is just so genuine.

Even the song, Destroy, which has one word: destroy, feels so right! He sings it right in the middle of the song, and it’s this sudden moment of clarity that then completely changes your point of view as the song continues along. I wonder if by “destroy”, he might also mean “renew”? I’ll need to ask him that tomorrow.

So here’s the vague tour route:

 

We leave… tomorrow! We’ll cram our belongings in a single van, and drive across the US. 7500 miles! I have never gone on a tour this long, so I’m excited!

I hope to see you along the way. Please stop by and say hi!

Oh, and I published the calendar, so I hope there are some places near you.

 

FolkLife 2014

Hey, just a quick update on Folklife 2014! I have my performance schedule this year so I just want to briefly share that.

Saturday

12:30pm — The m9 — busking nearish the statue between EMP and Seattle Center. We play Serbian Brass music. Lots of horns and drums.

6pm — Bucharest Drinking Team — at the Fountain Lawn Stage by the beer garden. We’re a party band, so be prepared for that. And then the Balkan Misfits showcase continues the rest of the evening!

9pm — The Debaucherauntes — afterparty at the Conor Byrne in Ballard, with a bunch more cool bands. We do Klezmer. There will be other Americana type music going on.

Sunday

3pm — The Debaucherauntes — We’re doing our thang again at Folklife, as part of a whole Klezmer showcase

Monday

3:30pm — The m9 — more busking in the same place!

So that’s the schedj. I have to say, this is the first year that I am more of a performer and less of a fan. It’s kind of a big milestone for me on a personal level, although I will seriously be sad to miss all my friends doing their thing. There is some amazing music going on all weekend, so I hope you set aside time to hang out for the whole thing.

What to check out all weekend

Songs of Maritime Disasters, Fabulous Downey Brothers, Garfield Jazz Ensemble, the Tallboys, Annie Ford Band, Country Lips, New Klezmer Army, Croation Showcase, Bakelite 78, Skitnik, EuroDancePartyU$A, Radost, Orkestar Zirkonium, Juliana and Pava, Onefourfive, Dunava, Balkanarama, The Bad Things, The Lonely Coast, and much more.

Busy weekend! I hope to see you!

It never ends

As a kid, I dreamed of recording a real album and releasing it. There was no internet, and there were no encyclopedia entries on “how to record and release an album”. Today, you just search it up. Back then, good luck even going to the library and checking out some books.

And then there was the matter of becoming good enough of a musician. Or even saving up enough money. Or worse yet, the challenge of sticking together long enough as a band.

And when I started out, I erroneously thought you had to be “discovered” by a label and sign a contract.

I went through quite a few do it yourself projects, borrowing 8 track tape recorders, buying cheap mixers, and manually producing tapes and burnt CDs with friends.

And then finally, after many ups, downs, and detours, I was able to record and actually release an album on a real CD together with my bandmates. It was the first Hidden Number album.

By then, my original childhood dream seemed so distant. Truly like a dream. There was so much more to do. I was in another band, Trip Audrey, and we were getting ready to record a debut album.  I was aware of some challenges to recording due to my cheap equipment, and I needed to save up to replace that. Hidden Number needed to send out the album and promote it. And it had taken so long to record that album that we felt an urgency to record all the additional songs that didn’t make it on the album. Plus, some band members had quit and we needed to find and train some new people. Meanwhile, I had been hired on full time at my day job, and needed to do well.

By the end of the year, I had all but forgotten my childhood dream. But there was that moment when I looked back, and realized all my original ambitions had been achieved. It was a revelatory moment. Yet also a melancholy one. There was no graduation. There was no prize, or award. No moment to walk down the aisle and receive a diploma. Instead, I already had a new set of goals. I wanted to go on tour. I wanted to take drum lessons and clean up some of my bad drum habits. There were already new songs to record. I wanted to engage with fans more personally. And so much more.

It never ends. And I’m only getting started. I’m basically a nobody, and yet you can see the toll on the celebrities. All the haters that they’re too fat, or they acted poorly on Giglie.

It never ends. By the time you reach the peak of the mountain you are climbing, you can see the next one in the distance. So I hope we can all take a moment to pause, and look back down the mountain to the bottom where we started and appreciate the view. Even if you’ve just taken your first step–that’s your first step! Celebrate!

Otherwise, life will pass you by.

I bought a bottle of sparkling wine for the Hidden Number dudes, and we had a nice dinner at 1am after rehearsal at Charlies on Broadway. We made a toast to the next album. It was a simple moment, spending a single carefree hour together and appreciating each other. A humble moment, I will always remember.

New in 2014

Hey, so I’ve added a few more projects to the list. The new year is going to be awesome.

THINE

Stuart Dalquist and Joel R.L. Phelps were kind enough to invite me to join with them and a few other excellent people such as David Lutz and Jake Weller. We’ve met once already, and I’m really looking forward to the huge challenge in reproducing the whole thing in a live setting. Probably in a few months. Like Holy Cities, this is something where I was already a fan, long before I got involved. So this is dear to my heart. It’s the kind of music that sort of invents itself as it goes along–a concept that inspired me to be a musician in the first place.

UPDATE: The name has been changed to Dama/Libra.

The minor 9

We’re a Balkan brass band. No official recordings as of yet. We’ve been gearing up for Balkan Night Northwest, where you will hear our debut. This is a group of Balkan brass aficionados, who aren’t interested in being held back by the past. Yes, you can dance your butt off to us, but we don’t want our sound to require mothballs or a vacuum seal.

And I should also mention that Bucharest Drinking Team will be playing at Chop Suey for International Women’s Day, along with Kultur Shock. As per the usual, this party will be epic.

Bucharest Drinking Team on iTunes and Spotify

Happy New Year! Hey folks, I just wanted to let you know that Bucharest Drinking Team music is now available on iTunes and free streaming on Spotify. Crank these up right now!

We recorded these (mostly) live at Bani-Love Recording studios in the midst of the Columbia City Theater.  We threw a 2 day party and just recorded the heck out of ourselves within that amazing sounding hall that we love so much.

Let me know what you think. And what songs we should record next.

Some thoughts

A friend of mine worked with people who have dementia, and one time Susan and I went over and visited him over lunchtime. Lunch was like summer camp. A bunch of people who live together, come into a big room to share food, while my friend would lead all sorts of entertainment. Everyone was involved. He played his guitar and led people in song. At some point he played some swing, and Susan and I danced to that, much to the enjoyment of all (and quite a few got up and joined in). It was an incredibly happy environment. I know they were all struggling through hardships of dementia, but the silver lining was that many of the folks there were just living in the moment.

Then he invited one gentleman to sit down at the piano. The man needed some assistance with getting started. He sort of clumsily started finding his way around the keyboard… and then the next thing you knew, this guy was playing song after song. But here’s the thing. Our hero, the piano player, had no recollection that he had spent his career playing piano on a cruise ship. Instead, every day, he had to be reminded that he could even play piano at all. Yet, once he got going, it all flowed out.

Related article:

http://www.washingtonpost.com/local/seniors-with-dementia-express-themselves-connect-with-others-in-drumming-circle/2013/06/19/a806f5f2-d842-11e2-a9f2-42ee3912ae0e_story.html?wprss=rss_national

So, I think today’s deep thought is that I think it’s far more important to get songs into our subconscious memory, because then we don’t have to think about them or consciously remember them. The  music will just flow out of us, like exhaling. So yet again… practice! So that you can just exist in the moment.